Redwoods Rasanblaj: Origins and Disentanglements by Gina Athena Ulysse is a multisited public art project and series of creative gatherings and offerings at the Institute for Arts and Sciences and across sites at UC Santa Cruz and Santa Cruz. The exhibition builds on a large-scale installation at the Dakar Biennale (2024) and marks a decade since Gina Athena Ulysse’s call for rasanblaj. This decolonial organizing principle takes its meaning from a Haitian creole term translated as the assembly, compilation, enlisting and regrouping of ideas, things, people, and spirits.